- #Disney transportation shift exchange facebook software
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I wanted to ensure that he could hear me and I could hear him. I called my dad a few times and recorded the phone calls between us. We planned to record a few days later and I quickly scrambled to learn my new equipment. Let’s set something up and I’ll make myself available.”
At 3:43, Scott sent a very nice response, which included this:
After some hesitation, I hit send on a message at 3:38pm. I debated if I should write to him, but I decided that the worst he could do was ignore my email entirely or politely decline. He barely knew me, the equipment that I purchased had just arrived two days earlier, and I had no track record to speak of when it came to being a podcast producer or host. I thought Scott might have a story to tell about how the shutdown affected his career, but I was nervous about reaching out. I didn’t know Scott well, but he and I were mutuals on Twitter and we had exchanged emails during my time at This Old House after he appeared on Ellen and made a “ This Old House audition tape. He was traveling to Chicago to shoot a pilot and then abruptly returned to Los Angeles as the shutdown started. The names would not be especially recognizable and my intended target audience would be primarily the Boston production community.Īs I was developing the concept, I remembered seeing some posts back in March on social media from Scott Foley. I thought I would mostly just interview my friends to hear their experience with the pandemic: Boston-based directors of photography, audio engineers, grips, gaffers, folks like that. My thought was to produce a very limited series, maybe 10 episodes at the most, that chronicled what I believed to be a brief blip on the radar. It felt like a big gamble, especially since I didn’t know the first thing about producing a podcast or even exactly what the show should be beyond a rough concept.įrom the beginning, I imagined that the most acute phase of the pandemic would only last for a few weeks and that offices and productions would be back to normal very soon.
#Disney transportation shift exchange facebook professional
I knew that I wanted something that sounded professional and I put together a package of gear for about $600 and set up a small studio in the corner of our attic. Fortunately, she loved the concept and encouraged me to pursue it, even though it would take some money to get started. I was unemployed and not knowing how long that would last, I didn’t want to spend money on unnecessary things. I had the idea of starting a podcast about how the entertainment and media industries were adapting to the pandemic and discussed it with my wife. I worried that when I went back to work someday, my experience might no longer have been relevant.
#Disney transportation shift exchange facebook software
I wanted to learn about the procedures teams were following, the new cameras, and new software that allowed shows with a crew of dozens in a studio to be made by a single host at home. As production went remote, I was not at the table and had no idea what the new reality looked like. Other late night shows, news programs, and more followed suit.Įven though I had only been out of work for two months at that point, I could feel a fundamental shift happening in the industry. Trevor Noah began to film short monologues for The Daily Show from his apartment which at first were only shared on social media before becoming network programming. Trevor Noah recording early episodes of The Daily Show at homeīy the late spring, a few shows started to pivot to remote production, sometimes very awkwardly, sometimes quite successfully.
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